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Then adjust a Music Sensitivity control to determine how much the plug-in adapts to changing levels in the accompanying tracks. You accomplish this by routing the accompanying tracks to a common bus and setting the Vocal Rider’s sidechain input to the same bus via a drop-down menu. With some DAWs (including Digital Performer versions 6.02 through 7.01), you can make Vocal Rider consider the fluctuating levels of accompanying instrumental (and background vocal) tracks when determining how it boosts or attenuates the vocal track from moment to moment. Once these controls are dialed in and Rider Fader behaves the way you want, an Output fader trims levels while preserving all Rider Fader adjustments. An Attack switch tailors the plug-in’s detector response (fast or slow), which also affects how quickly Rider Fader makes its automatic moves. Here, a very low setting will decrease noise-such as breath sounds-but can also cause more drastic adjustments when the vocal comes back in, potentially making the track sound jerky. Positioned between the two Range sliders, an Idle Arrow can be moved to change the level to which the Rider Fader returns between vocal phrases. The bottom Range slider and top Range slider help define the overall dynamic range that you are riding in with relation to the target setting. Set this too high, and any louder vocal phrases can end up being too loud. On the other hand, the top Range slider increases the maximum amount of boost that Vocal Rider applies to low-level phrases. I found that an indiscriminately low setting of this slider also negatively affects quiet phrases, riding them not as high as they might need to be boosted. Moving the bottom Range slider lower increases the maximum amount of attenuation that Vocal Rider will apply to overly loud vocal phrases. Two Range sliders also govern the Rider Fader’s action by defining its dynamic range. Here, the last fader move has been edited to provide additional gain boost to a swallowed lyric.Ī Target control adjusts the nominal center point of the range over which the vocal’s level will ride. Vocal Rider’s automation data can be written to the vocal track’s automation lane in your DAW. For example, if this control is set too low, Vocal Rider may interpret a quiet vocal phrase as noise and won’t ride the level higher to make it more audible. The plug-in’s Vocal Sensitivity control helps Vocal Rider differentiate between vocal signal and superfluous noise. A Rider Fader, positioned at the center of the plug-in, automatically makes level adjustments to the vocal track based on the settings of surrounding controls.
#Vocal rider plugin vs manual
Vocal Rider’s controls are novel enough that reading the operating manual is a must.
#Vocal rider plugin vs mac os
I tested the AU plug in Digital Performer 6.02 using an 8-core Mac Pro running Mac OS 10.5.4. The cross-platform plug-in comes in two flavors: native (RTAS, Audio Suite, AU and VST formats) and TDM. Waves’ Vocal Rider automatically rides the vocal’s levels for you, saving time and avoiding tedium. Tight budgets or deadlines don’t always allow for the manual line-by-line tweaking of fader levels on a vocal track to perfection at mixdown.
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Users can automate the plug-in to modify its action, phrase by phrase. Vocal Rider automatically rides the gain of a vocal track during mixdown.